This is the first Solomon Kane story I ever read, which obviously means it's my favourite. Truth to tell, the dour Puritan is little more than an observer in this story, but what's great about it is the artwork of the criminally under-appreciated Steve Gan. As excellent as all the other artists' who worked on Kane were, Gan seems to me to be the only one who managed to make his world look real and historically accurate. I keep expecting Oliver Cromwell to wander into frame, or Adam Eterno at the very least. And just look at the fourth panel on page 2. That is Kane to a tee.